Soane was passionate about his favourite branch of architecture and sought to pass this enthusiasm on to students. He therefore transformed his house into a museum showcasing the best of classical design, not only by displaying ancient objects but by manipulating the rooms themselves. He hoped that young architects would come into the house and find inspiration, encouraging them to incorporate some of what they saw into their own plans. Every nook and corner is filled with another treasure: a piece of fresco here, a cast of a statue there. As the rooms themselves are mostly quite small this proliferation of objects could easily feel claustrophobic, however Soane’s canny use of light, often entering the interior through coloured glass, alleviates any sense of enclosure.
It is difficult to pick out highlights in a museum so full of interest, and where the building itself is such an attraction, but there are nonetheless a few things which truly stand out. One of these is the sarcophagus of King Seti the first, residing in the catacomb-like basement. Although the London air has unfortunately corroded away much of its former glory, this find, one of the most important relics ever found of ancient Egypt, is hugely impressive, being entirely covered in skilfully-etched hieroglyphics. The catacombs also contain a grave, supposedly that of the invented monk Padre Giovanni, but actually containing the remains of Mrs Soane’s beloved lap dog Fanny.
The picture room is truly a marvel. Faced with a large number of paintings and not enough space in which to hang them, Soane devised a novel solution: what appear initially to be static walls loaded with artwork are in fact hinged screens which can open out to reveal yet more pictures behind. The paintings themselves are more than worthy of note. Perhaps most striking are those by William Hogarth, of which there are two series: 'An Election' and 'A Rake’s Progress', highly satirical works whose messages are just as relevant today as they were in the 1700s. In addition to these are drawings of Italian buildings by Piranesi and watercolours of several of Soane's designs by Joseph Gandy. Had all of these latter actually been built, London today would be a very different place indeed. One view of the city is particularly far-fetched, having grand mountains as its backdrop, so perhaps these ideas were based more in Romanticism than in reality.
Soane's museum is not on the standard tourist itinerary, and so is often one of the last museums that people get round to visiting. Once they have done so however, it becomes a firm favourite. The house is not that large, and so it does not take long to wander around it, and it is definitely time well spent. The staff are friendly and knowledgeable; it is obvious that they are passionate about the place and enjoy showing it off. An extra bonus is that the museum is completely free, although it is so good that it feels rude to leave without giving a donation. After all, there are few places in London as interesting or as atmospheric.
Lincoln's Inn Fields is an attractive London square located just east of Kinsgway. Sir John Soane's Museum is on the northern edge. The southern edge is home to the Royal College of Surgeons and Lincoln's Inn itself lies on the east side. The closest tube station, just two minutes walk away, is Holborn (Central and Piccadilly lines).
Nice post!
ReplyDeleteI really ought to get there at some point...